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Edward Tenner / Body Technology:
    Thumbs, Cameras, PDAs, Video Games
    (6/2003)

    by Douglas Dixon

Tenner
Body Technology
Tiny Cameras
Tinkering
Handheld Devices
Computer Games
The Starfighter Generation
References

"The thumb is coming back to computing," writes Edward Tenner in his new book, "Our Own Devices: The Past and Future of Body Technology" (Knopf, June, 2003). "In Japan today, there are so many new data entry devices that young people are called 'oyayubi sedai', the Thumb Generation." Tenner cites the work of one British researcher who has found that "thumbs around the world are becoming stronger and more skillful. Some young Japanese are now even pointing and ringing doorbells with them."

       

"Our Own Devices" explores the history and development of technologies that protect and enhance our bodies, from our heads (helmets and eyeglasses) to toes (sandals and sneakers), fingers (musical and typewriter keyboards), to backs (chairs and recliners). Tenner concludes the book with a short epilogue on the future of the man-computer interfaces, celebrating the resurgence of this lowly thumb for interaction with digital devices.

While the interface to desktop computers has been dominated by the quaintly-named mouse, the thumb now drives laptops and handheld devices, with thumb sticks, thumb pads, and thumb keyboards. As humans past have adapted to shoes and chairs, and then more recently to keyboards, our current digital generation is now adapting to small thumb-based devices for portable communication, reference, and computing.

Meanwhile, the next generation has blown past such simple interfaces to adopt video game controllers, allowing real-time control of complex actions -- steering, jumping, shooting -- using simultaneous thumb and finger actions on a profusion of controls and buttons.

Tenner

Edward Tenner is an independent writer, speaker, and consultant on technology and culture (www.edwardtenner.com). He is currently a Senior Research Associate at the National Museum of American History. Tenner received the A.B. from Princeton University and the Ph.D. in history from the University of Chicago, and then held teaching and research positions in Chicago before becoming science editor of Princeton University Press.

In 1991 Tenner received a Guggenheim Fellowship and was appointed a visitor at the Institute for Advanced Study, where he began a project on unintended consequences of technology. This work was published in 1996 as "Why Things Bite Back: Technology and the Revenge of Unintended Consequences" (Knopf 1996, Vintage paperback 1997).

"Why Things Bite Back" explores examples of what Tenner calls "revenge effects," unforeseen, ironic, and often unpleasant consequences of the adoption of new technology. The book ranges widely across medicine, the environment, the computerized office, and sports. Tenner's research provides interesting perspectives on these issues, and suggests that much more thought needs to be applied to anticipating and addressing the unexpected side of progress.

In 1995-96 Tenner turned to the history of human interactions with everyday objects as a fellow of the Woodrow Wilson International Center for Scholars, which has led to "Our Own Devices." He also has been visiting researcher in the Princeton departments of Geosciences and English and at the Rutgers Center for Historical Analysis.

Body Technology

Tenner's new book explores the historical development of "body technology," in the sense of both physical devices that modify how we interact with the environment, and the techniques used to apply them. The result is a cycle of innovation, in which changes in the behavior of people lead to further enhancements by inventors and manufacturers. Tenner first demonstrates this interplay between technology and techniques by examining improvements in athletic equipment and achievement, for skaters, rowers, fencers, and bowlers.

The book then contains nine chapters that explore the historical development of human adaptations to the environment. Tenner begins with nursing and bottle feeding, and then moves on sandals, designed to protect the feet, and then more recent developments with sneakers, designed both for speed and comfort. He traces the development of both technology and social norms across different cultures, some from antiquity, and examines the benefits, and costs, of the resulting adaptations. For example, while the human body was designed for walking in bare feet, it now seems that we need at least some sort of sandal to protect us from both physical and biological hazards in modern streets and soil.

After walking through footwear, Tenner then moves on to how we sit, discussing the development of chairs as devices for good posture for working, and then reclining chairs for good health and relaxation. Again, our bodies have adapted to sitting in chairs so well as part of our modern life that we are no longer comfortable sitting on the ground. And yet we all seem to have back problems, which only can be addressed with the latest ergonomic chair designs.

Tenner then moves to the fingers, detailing the development of musical keyboards and then typewriter keyboards. Here it appears that the human was more adaptable then expected by the original developers of these devices, able to unconsciously flow thought and patterns through the fingers, even chording multiple keys at the same time and different musical lines on the two hands. While the traditional piano keyboard and QWERTY typewriter layout clearly could be improved to be easier and more efficient to use, their designs have been locked in by widespread use, both in equipment and in human adaptation and training.

Continuing up the body, Tenner then explores eyeglasses and helmets. The use of helmets as protective exoskeleton has obviously altered the practice of warfare during the ages of hand-to-hand combat, and also more recently had an important role in reducing injuries from artillery in the two world wars. But eyeglasses, Tenner argues, do not just augment and correct our vision, as required in a literate population, they also are strongly associated with myopia. He quotes numerous studies that show rates of myopia increasing with the spread of more schooled populations, and with the number of hours spent in classrooms. While he admits genetic predisposition and environment factors such as poor lighting, Tenner also suggests the possibility that correction at early ages may change the growth of the eye in children and therefore aggravate the problem.

The book concludes with a short epilogue on the thumb, and the possible future of man and machine fused into a cyborg, eschewing mere wearability for implantation of digital devices.

Tinkering

"Our Own Devices" is a fascinating walk through the development of these "body technology" devices, and the social adaptations of the techniques for using them. Tenner's writing ranges widely across society and business, history and cultures, and deeply into the individuals and companies that developed and marketed these products.

The book is not a quick read, but more to be consumed in moderate servings. You will come away armed with fascinating facts about common human objects, and perhaps a desire to pay more attention to the design of your shoes and chairs, although Tenner does not provide strong conclusions or recommendations about best practices in using these technologies in today's society. Oddly, Tenner provides surprisingly few illustrations to help show the evolution and details of the designs he discusses. More diagrams like the great tree chart of helmet designs through the ages would have been helpful, for example, in illustrating the "seven and only seven styles of shoe."

While not Tenner's focus, you also can read the book as homage to the human propensity for tinkering, as individual inventors and users of these devices just couldn't stop messing around to try to improve them. In many cases, these people worked in the face of strong resistance from the medical community and society at large (think of the past evils of nursing, flat feet, and sneakers). Yet we're clearly better off because they could tinker and experiment with new ideas and design concepts.

Tenner calls for "a return to the collaboration between user and maker that marked so many of the great innovations," citing 1980s studies that found up to 77 percent of innovations in high-tech manufacturing were initiated by users. The importance of tinkering also is the central theme of Edward Felton, a computer science professor at Princeton University who is concerned about attempts to legally regulate the use of technology. His Freedom to Tinker site discusses "your freedom to understand, discuss, repair, and modify the technological devices you own" (www.freedom-to-tinker.com).

Tiny Cameras

Beyond walking and sitting and typing, the major theme of our digital age is augmenting our memory by bringing stuff with us to remember and record information and events. And this of course demands miniaturization, as we run out of room to put all these gismos, in our pockets, clipped on the belt, or lugged in a shoulder bag. But at some point, smaller becomes too small, as we can no longer read the small displays or fit our fingers on the tiny buttons.

Consumer electronics companies face this problem as they keep shrinking the size of digital still cameras and video camcorders that we want to use to record our lives. For example, Sony's new DSC-U20 miniature digital camera is about the size of four packs of gum (3 1/4 x 1 1/2 x 1 inch). This is not just a toy camera, with 2 mega pixel resolution, flash and close-up capabilities (but no zoom), and standard Memory Stick storage for lots of photos. But while obviously this size camera can fit in a pocket, the question becomes whether it's getting just too small to be useful, especially with a tiny LCD display (less than 7/8 by 5/8 inch).

        Sony Cyber-shot DSC-U30

It turns out, however, that this camera design still works. While you can't see sharp detail in the display, you certainly still can frame your shot. Also, buttons are not a big issue with a digital camera; all you need is the one (reasonably sized) button to click the pictures. Yes, there are a few more buttons to control the menus when needed, but the major challenge to using them is good eyesight and viewing conditions to read the menu display. Overall, teeny tiny still works in a digital camera.

This is not true with camcorders, however, as digital miniaturization seems to have hit a limit to human adaptability. In camcorder design, the overall size is limited by the form factor of the tape cassette, which then limits the design of the tape transport. The physical design challenge then is to find room on the case for all the components and interfaces: the lens on the front, the adjustable eyepiece on the back, the adjustable LCD display on one side, the tape compartment on the other, not to mention the battery, and connectors for power, video, and computers. Of course, camcorders also need lots more controls, including dedicated buttons for power, play / record modes, zoom, exposure, and focus, all of which must be relatively easy to access. And you need a second set of buttons for playback, plus miscellaneous other controls to access the other fancy features and modes.

The DV format for digital video camcorders provides a nice balance of size and function. The DV cassette format is about half the size and thinner than the analog 8 mm cassette. This permits small camcorder designs that weigh less than one pound, even with a 2 1/2 inch LCD display. But Sony wanted even smaller, and therefore introduced the MICROMV digital cassette, smaller and thinner than half a DV cassette. This is smaller than a matchbox, or you can visualize it as about the size of two quarters side by side.

           

But it seems that Sony went too far with its first generation of MICROMV camcorders. The DCR-IP5, introduced in January 2002, weighed only 12 oz, with battery, and measured just 1 7/8 x 4 x 3 1/8 inches. The new DCR-IP55, introduced in August 2002 actually is a bit larger than the previous model, at 15 oz without battery, and 2 3/8 x 2 7/8 x 5 1/8 inches. Users found the first models just too small and too clumsy to use.

            Sony MicroMV DCR-IP5 camcorder

To deal with the profusion of tiny buttons, camcorder manufacturers have moved to touch screen menu interfaces on the LCD display. In this way, common functions such as the VCR play controls can be accessed as buttons overlaid on the video screen, and more obscure options can be provided in the nested menus. The result is an end to button bloat, replacing dedicated physical buttons with virtual controls, and leaving more room for the more important buttons that need to be controlled by your fingers.

Handheld Devices

Unlike consumer electronics devices, handheld computing devices tend to shrink to become all display, and the space for buttons is minimized. Yes, laptops have keyboards, but the control interface is through the touch pad and/or pointing stick (as popularized by the IBM ThinkPad), with fingers and thumbs moving the cursor and pressing the touchpad buttons. But the latest development in laptops is tablet PCs, all screen or with detachable screen, controlled by touch-screen and pen interfaces.

Meanwhile, PDA (personal digital assistant) designs are dominated by the display, with a handful (as it were) of dedicated buttons for scrolling and common applications. The original Palm PDAs also included a dedicated writing area, but this also is being subsumed into the touch-screen display in some newer models. Sony then added a jog dial control to provide for one-handed navigation in its Palm-based CLIE handhelds.

These devices still are limited for fast data entry. Users either must adapt their writing style to the device's recognition capabilities, or peck away with a stylus on an on-screen keyboard (still in QWERTY layout). On the other hand, cell phones and pager / communicators are focused on the buttons, with a smaller display and the numeric phone keypad or an alphabetic keypad for messaging. Phone users can adapt to these devices by becoming practiced at one-handed dialing, and experienced text messaging users adopt a two-thumbed technique for faster typing.

But then these devices start to converge, as phones acquire PDA capabilities and larger displays, or PDAs acquire more buttons for faster data entry. The Kyocera 7135 is a flip-top phone design that happens to have a Palm inside, and therefore has a full Palm color display, plus the dedicated buttons and writing area above the keypad. 

        Kyocera 7100 series

On the PDA side, Sony now offers CLIE flip models with a full QWERTY keyboard squeezed into the PDA form factor. Palm's new Tungsten model provides dedicated buttons on the bottom third of the device, and then slides open to reveal the traditional Palm writing area. Several of these models include QWERTY keyboard buttons on the exterior, so they can be used without needing a stylus. The Tungsten W then combines wireless communication, supporting E-mail access and phone use (with earpiece).

            Sony CLIÉ handheld

 

Computer Games

The dexterity challenge with these digital cameras and handheld devices is driven by the miniaturization, providing enough room for the thumb or finger to press on the desired button without accidentally mashing several others by accident. With accurate thumbs, you can learn to peck out non-trivial messages, and even use modifier keys for capitalization and symbols. But these accomplishments pale against the skills of the video game generation, using their multi-button controllers to direct movement and actions with split-second accuracy.

Today's video game controllers have gone far beyond the original Atari-style joystick, with its single red action button. In the old days, you could only use the stick to indicate a general direction (up, down, left, right, and sometimes diagonals) and press the button to cause an action (typically shooting at something). These were mass-produced devices designed to take a heavy beating, and therefore did not provide much subtle control.

The simple joystick evolved to replace the stick with directional pads and add more buttons. Systems such as the Super Nintendo used a rounder and flatter design that was intended to be held and operated with both hands. The left thumb operated a directional button, typically implemented as an analog tilt sensor that could provide more subtle graduations of direction and speed. The right thumb had access to four buttons to choose and control actions. And the index fingers wrapped around the front of the control to access two additional buttons. With these multi-button designs, players could perform multiple simultaneous actions, moving and jumping and attacking at the same time, and even switching between different tools. Of course, the ultimate control was reserved to gamers on PCs, who could map each key of the keyboard to dedicated actions.

Video game controllers continued to evolve, adding even more buttons and moving to more of a boomerang or batwing design style. The controller for the Microsoft Xbox system now includes three thumb pads: an eight-way directional pad for the left thumb, and both left and right analog thumb sticks. It also has a set of six pressure-sensitive multicolored analog buttons high along the right side (two for less common uses), two shoulder trigger buttons for the index fingers, plus dedicated start and back buttons. Plenty to keep the fingers busy.

        Microsoft Xbox Game Controller

The Xbox controller also is rather plump, to make room for two slots for memory cards and other peripherals, plus motors for a built-in "rumble" feature. Some gamers found the original controller too bulky, and preferred the smaller Japanese model. Microsoft also released the newer smaller Xbox Controller S with a revised button layout, since some users just could not stretch their fingers and thumbs so easily, and kept finding themselves pressing buttons accidentally. Now gamers can pound away, with Microsoft's promise of "comfort, pinpoint accuracy, and total control."

The Starfighter Generation

All this manual dexterity training may well pay off, and not just for virtual car theft and future high-tech jobs in testing video games.

Researchers at the University of Rochester reported in the journal Nature in May 2003 that action video games can significantly improve visual skills. Avid game players can monitor more objects in their visual field (up to 30 percent more objects) and do so more quickly than nonplayers. Even as few as 10 hours of game playing was enough to significantly increase a person's visual awareness. The researchers suggest that "action game playing might be a useful tool to rehabilitate visually impaired patients or to train soldiers for combat."

This was the premise of the 1984 movie "The Last Starfighter," in which Robert Preston played an alien recruiter who seeded Earth with video games to find candidates for the Star League, to "defend the frontier against Xur and the Ko-Dan armada." Of course, the best of our planet turned out to be some kid dreaming of escaping the Starlite Starbrite trailer park, who beat the game and was blasted off to the planet Rylos to save the universe. See what an itchy trigger finger can do for you.

The future of human-computer interfaces may well be much like that shown in the 2002 movie "Minority Report," in which the Tom Cruise character used a virtual reality visual interface to search a database of visual imagery that floated in the air before him. Our modern life requires this ability to track and comprehend multiple sources to the periphery of our visual field, and to switch attention rapidly to manage simultaneous inputs and tasks.

Whether driving on highways while monitoring your GPS travel routing display and talking on a cell phone, or watching TV while working on homework and instant messaging with several friends, our lives demand multi-tasking -- both attention and action. In the absence of thought or voice input, the resurgent thumb will press forward as the interface between us "wetware" humans and our digital devices.

References

Edward Tenner
    www.edwardtenner.com

Our Own Devices: The Past and Future of Body Technology
    Edward Tenner 
    Knopf, June 2003, ISBN 0375407227

Why Things Bite Back: Technology and the Revenge of Unintended Consequences
    Edward Tenner
    Vintage Books; Reprint edition, September 1997, ISBN 0679747567

Sony Consumer Electronics
    www.sonystyle.com
    Cameras         www.sony.com/cameras
    Camcorders    www.sony.com/camcorders
    MICROMV   www.sony.com/micromv
    CLIÉ               www.sony.com/clie
    CLIÉ               www.sonystyle.com/clie

Palm PDAs
    www.palm.com - now
    www.palmone.com/us

Kyocera 7135 Palm phone
    www.kyocera-wireless.com/7100_phone/7100_phone_series.htm

Video Game Controllers
    www.gamespy.com/hardware/june02/sticks1/
    www.gamespy.com/hardware/june02/sticks2/

Microsoft Xbox Game Controller
    www.xbox.com/system/Xbox+Game+Controller.htm